“Hat Day”
The Captain declares Hat Day in an enormous tricorn. The Chief won't wear one, until the vent he fixes blows the tricorn off her head and onto his.
Reelwright is a studio for animated episodes that runs on your own computer. Write a scene as a screenplay, and it stages it on 3D sets with flat, cel-shaded characters, cuts the camera coverage, voices and lip-syncs every line, and renders the finished cartoon. Change your mind about a moment, and it directs just that stretch again.
Version 0.13.0 · out now for Linux, Windows and macOS
How it works
You write. Reelwright does the staging, the camera work, the voices and the render, and shows you every decision so you can change it.

Write the episode in Fountain, the plain-text screenplay format. As you type, Studio reads it the way the director will: who walks where, what gets picked up, and anything it can't stage yet.

Press Direct. Reelwright blocks every scene on your sets, performs the action, and cuts it into shots that follow film grammar. Play the cut, and where a moment is not right, select it, press R and give a note: just that stretch is directed again.

Kokoro voices every line, Rhubarb syncs the mouths, and Godot renders the episode to an MP4 with captions, mixed to broadcast loudness.
Inside Reelwright Studio
Write, design, direct, edit, record and render in one place, with your show's look, cast and sets a click away.

Script
Beside every line, what the director will stage and what it won't. The show's memory keeps every writer on its story.
Script and read-along
Director
Walks, hand-offs, gestures, floating, effects aimed where the script says, and coverage cut to film grammar. Then re-direct any moment with a note.
Director and staging
Timeline
Roll a cut, slip a shot, ease a camera move, and restage a scene from above. Ctrl+Z takes it back.
Timeline and playback
Previs
Step into the episode at the playhead, look through the shot, move its camera, and drag the cast onto their marks.
Previs in 3D
Cast
A cat, a robot, a slug or a talking kettle, made from a sentence with no model, and directed like anyone else.
Characters of any kind
Look
Describe it or show it pictures, choose from four directions, and tune every part live on your own cast in the style lab.
The style lab
Showrunner · optional
Use the Claude you already have, through claude.ai, the Claude app or Claude Code, with no API key, and talk the show through. Every change is a proposal you approve.
The showrunner
Render
Title card to credits, voiced and mixed, as an MP4 with captions, or a ProRes master with its stems. The same show renders the same frames every time.
Rendering and export
Reelwright Runner
Use Studio in a browser, and let your computer, or a few of them, render, voice and draw the previews.
Reelwright RunnerMade with Reelwright
Episodes of the example show, Marigold Salvage Co., rendered by Reelwright from their screenplays.
The Captain declares Hat Day in an enormous tricorn. The Chief won't wear one, until the vent he fixes blows the tricorn off her head and onto his.
The cold open Reelwright was first proven on. Otto's scanner finds a lighthouse in deep space, and the Chief would rather stay down behind his console.








What's in the box
On your computer, no account and no cloud: an episode is made on your own machine. Here is what you get, and what is still to come.
Studio, the director, the compiler and the renderer all run on your machine. Making, playing and rendering an episode needs no network.
Kokoro speaks every line on your machine, and Rhubarb syncs the mouths. The voice model, about 330 MB, downloads once, the first time you voice a show. Or record your own cast in the booth, line by line.
Connect the Claude you already have, with no API key: add Reelwright to claude.ai or the Claude app, or let Claude Code on your computer run it on your plan. Directing, re-directing a moment, the show's memory, the style lab and writing all work through it, and what it does shows in Studio as it does it. In claude.ai and Claude Desktop, its proposals show as Reelwright's card, to approve right in the chat. A key is an option too: it stays on your computer, you pay Anthropic directly, and budgets cap the spend.
A show is a folder you keep wherever you like: readable specs, Fountain scripts and voice takes, in a git repository where every approved change is a commit.
Marigold Salvage Co. comes with Studio: a crew, a ship and episodes to watch and change, their previews made, so the first one plays the moment you open it. Or start a show of your own from its kit.
Studio checks once a day whether a newer version is out, and says so. On Linux it updates itself when you press Update, from a signed feed, and puts the old version back if the new one does not start. Nothing is installed until you ask, and you can switch the check off.
Free to try on the web: the same Studio, on the same core, runs in your browser, and your own computer can do its rendering. Sign up at reelwright.diy/app with a code sent to your email; there is no password and no card. A free account has daily and monthly limits on renders and storage, and Settings › Account shows your use of each.
Not signed yet: Studio comes without a Microsoft signature on Windows or Apple's notarization on a Mac, so your computer asks you to confirm the first time it opens. The install steps say what to choose.
Open the demo show, change a line, press Direct, and watch it play.